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Her account is a timely and useful gateway into the postwar period of Japan, as well as the modern censorship issues in the country. Self-censorship is an more and more common challenge for artists and newshounds in Japan, and it threatens democracy. In Hungary, for instance, newshounds are afraid to ask debatable questions in regards to the govt as a result of they could lose access to interviews and press meetings. Journalist Janos Karpati, a former EU correspondent, asked a question in regards to the death penalty and was told that his query was not applicable by Prime Minister Viktor Orban, and he was threatened with the lack of his job. While self-censorship among artists in Japan is not a new issue, recent cases of self-censorship in the arts rekindled the controversy. A recent determination by the Aichi Triennale to cancel an endorsement of a set by South Korean artists depicting Japanese troopers in Nanjing has reignited the controversy. While it's crucial to protect the freedom of expression, it can also embolden extremist features. In Japan, most contemporary art museums are publicly owned, and the MAM has been the subject of protests. However, regardless of its arguable place in the field, the museum is privately owned and backed by the efficient Mori family, which is a pillar of the Japanese tradition. There are many purposes why artists may self-censor their work. Some are symbolic, designed to advertise social harmony and avoid insults to shared values.
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24.03.2023